references for a performer's perspective

  1. McLuhan, Marshall. “The Playboy Interview.” Essential McLuhan, pages 233–269. BasicBooks, New York, NY, 1st edition, 1995.
  2. Zimmerman, Eric. “Narrative, Interactivity, Play and Games.” N. Wardrip-Fruin and P. Harrigan,editors, First person: New Media as Story, Performance, and Game, pages 154–164. MIT Press, Cambridge, Mass., 2004.
  3. Eco, Umberto. "The Poetics of the Open Work." The Open Work, pages 1–23. Harvard University Press, Cambridge, Mass, 1989.
  4. Cuykendall, Shannon, Thecla Schiphorst, and Jim Bizzocchi. "Designing Interaction Categories for Kinesthetic Empathy: A Case Study of Synchronous Objects." Proceedings of the 2014 International Workshop on Movement and Computing. ACM, 2014.

References for The Fine Line ~ twisted angels

  1. Blakeslee, Sandra and Matthew Blakeslee. The Body Has a Mind of its Own: How Body Maps in Your Brain Help You Do (almost) Everything Better. Random House Incorporated, 2007.
  2. Cytowic, Richard E. and David Eagleman. Wednesday is Indigo Blue: Discovering the Brain of Synesthesia. MIT Press, 2009.
  3. Hooton, Matthew. Deloume Road. Toronto: A.A. Knopf, 2010.
  4. Lewis, Marc. Memoirs of an Addicted Brain: A Neuroscientist Examines his Former Life on Drugs. PublicAffairs, 2013.
  5. Maté, Gabor. In the Realm of Hungry Ghosts: Close Encounters with Addiction. North Atlantic Books, 2010.
  6. Matta, Roberto. Listen to Living. New York: Museum of Modern Art, 1941.
  7. Mavromatis, Andreas, ed. Hypnagogia: The Unique State of Consciousness Between Wakefulness and Sleep. Routledge, 1987.

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